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MADE Gallery Reopens this week with an extension of the Summer Open Art Exhibition until the end of September - featuring 25 artists from South Wales to offer an exceptional demonstration of the power and standard of work being produced by Artists in South Wales.
The Gallery is open Thursday to Saturday 10-6 and Sundays 12-4pm.
The MADE Summer Open was established to bring attention and focus to professional artists in Wales, and Cardiff in particular through creating a winner as chosen by a jury of gallerists, curators and previous winners who will award a winner's prize of a solo show in MADE's gallery programme the following year.
The Summer art prize has successfully contributed to raising the profiles of former winners Zena Blackwell, Lucia Jones, Kate Shooter and Ellie Young as well as creating attention and interest from the art viewing arena within Wales and beyond. It acknowledges that serious talent exists and can thrive outside London.
Cafodd Arddangosfa Agored yr Haf MADE ei sefydlu i dynnu sylw a ffocws at artistiaid proffesiynol yng Nghymru, ac yng Nghaerdydd yn benodol, drwy greu enillydd sy’n cael eu dewis gan banel artist wedi ei ddewis/dewis gan artistiaid sydd eisioes wedi derbyn y wobr gan guraduron MADE, yn codi’r bar mewn sawl ffordd.
Mae’r wobr wedi llwyddo i helpu gyrfaoedd egin-artistiaid megis Zena Blackwell, Lucia Jones, Kate Shooter a Ellie Young yn ogystal â denu sylw a chreu diddordeb ymysg yr arena celf yng Nghymru a thu hwnt. Mae’n cydnabod bod dawn yn bodoli ac yn ffynu y tu allan i Lundain.
Exhibiting Artists / Arddangos Artistiaid :
Abi Birkinshaw / Aidan Myers / Ali Street / Beth Leahy / Billy Kang / Carol Hiles / Charlotte Vickery / Daniel Lazenby / Eleanor Whiteman / Felix Akulw / Helen Belton / Hilary Lomas / James Moore / James Vassallo / Lily O’Connell / Mia Roberts / Philip Watkins / Philippa Brown / Ray Powell / Ruth McLees / Sarah Garvey / Sophie Potter / Tess Gray / Tracy Harris /
Vivian Ross-Smith
During August, a judging panel of Klara Sroka (from Cyfarthfa Castle Museum and Art Gallery), Delphi Campbell (2023 M.A.D.E. Solo Art Prize Winner) and the MADE Gallery directors Josh Leeson and Zoë Gingell, had the difficult task of selecting this year’s recipient of the Solo Art Prize, chosen from this year’s cohort of exhibiting artists.

Photo Credit Peter Evans
We are delighted to announce that the recipient of the 2025 M.A.D.E. Solo Art Prize is Vivian Ross-Smith.
Born in Edinburgh, Scotland and raised in Fair Isle, Shetland, Vivian holds a BA(Hons) from Gray’s School of Art (2013) and a Masters with Distinction from Glasgow School of Art (2020). She was the inaugural Freelands Studio Fellow at Swansea College of Art (2023).
Vivian is interested in accessible ways of engaging with the art world and as an extension to her practice works as an educator, facilitator and producer, often working with rural and artist-led organisations. Vivian currently lectures at UWE Bristol, is part of South Wales performance collective, SGÔR, and works from Swansea Studios.
Vivian will use this time and support to develop site-specific and performance-led work exploring dry-stone walls in South Wales - also known as a 'dyke' in her native Scots. Using practices of queering ecology and subverting previously harmful slang, this new body of work will frame dykes as sites of regeneration, community, ecological resilience, and care.
Through a sensual, tactile engagement with care, place and community, Vivian Ross-Smith creates performance, installation, textiles, and painting. Her touchable, often wearable work, explores notions of comfort, pleasure, and disgust in the body. Vivian draws on queering practices, using this as a methodology to remain curious, reclaim harmful pasts and imagine gentle futures.





























Summer Open Exhibition 2025 Catalogue of Works (pdf)
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We are delighted to announce that the recipient of the 2025 M.A.D.E. Solo Art Prize is Vivian Ross-Smith.
Vivian will use this time and support to develop site-specific and performance-led work exploring dry-stone walls in South Wales - also known as a 'dyke' in her native Scots. Using practices of queering ecology and subverting previously harmful slang, this new body of work will frame dykes as sites of regeneration, community, ecological resilience, and care.
Through a sensual, tactile engagement with care, place and community, Vivian Ross-Smith creates performance, installation, textiles, and painting. Her touchable, often wearable work, explores notions of comfort, pleasure, and disgust in the body. Vivian draws on queering practices, using this as a methodology to remain curious, reclaim harmful pasts and imagine gentle futures.


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